On the Nabstrian right wing, the battle now becomes a form of Mittelheim military ballet. This being Mittelheim, the ballet is notable chiefly for the large plappy feet of its participants, the rolls of lard peeking from beneath their tutus, and the ways in which the pirouettes remind one less of ballet and more of the inexpert and lumbering exploits of some short-sighted and very horny hippos.

(Above) The Nabstrian infantry drives forward, pushing the Kurlandian horse back in the direction from which they came. (Above, top) In a development that signals a shift to the decisive element in this battle, however, Grand Duchess Catherine coordinates the retreat of her cavalry with the advance of her infantry.

(Above) Weighing his options, Rumpfler pushes his right flank infantry forward one more time. It's just too much fun seeing the Kurlandian cavalry heading back to the same position that they started the battle at. Meanwhile, his cavalry remains in position, rising damp from the marsh causing a degree of chafing amongst his elites.

(Above) Now, however, the necessary preliminaries of any battle in Mittelheim have been completed. The artillery has created some dramatic smoke; the cavalry has ridden forward and then retreated back again. The respective commanders have riled one another with poorly hidden barbs regarding recollections of the rules of war and the weighting of their dice.
Finally, Grand Duchess Catherine, seeking to regain the initiative, commits her infantry to a decisive attack upon Vahringblancks Hill!
I must admit the Mittelheim ballet/battle comparison fair made me chuckle over a morning coffee this morning, although to be honest fair sums it up! The battle is pretty hard to call at the moment, could go either way.
ReplyDeleteThanks Donnie! It's all still to play for!
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